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"The March Hare?" queried Patricia, much elated by this exhilarating society, and wishing more ardently than ever that she were fitted for this fascinating class. "It sounds like wedding bells to me!" she cried, gayly. "You and I don't hear alike, Ju. It sounds like wedding bells, and commencement essays, and checks for stories, and—and—and——" A tall, good-looking man in tweeds was shaking hands heartily with Hannah Ann, while an esthetically dressed, rather languid young lady in pastel green was trying to introduce a pretty, smiling blond girl in black furs whom Patricia easily recognized as the original of the photograph that had stood on Mr. Lindley's desk at Greycroft, and the Haldens were explaining how they heard that the Lindleys were in town and so had come in on an earlier train specially to capture them for the house-breaking..
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The two young men burst out simultaneously with the speech in tones of sheer astonishment, and stared at Etwald as at some strangle animal. That this elderly man--Etwald was midway between thirty and forty, but that looked elderly to these boys of twenty-five--should dare to love Isabella Dallas, was a thing unheard of. She so young, so beautiful, so full of divine youth and diviner womanhood; he so sombre, pale and worn with intellectual vigils; with a mysterious past, a doubtful present and a problematic future. Outside, the peaceful landscape was filled with a warm amber light, and this poured into the oak-paneled dining-room through three French windows which opened onto a close-shaven lawn. Dinner was at an end; Jaggard, the major's valet, butler and general factotum, had placed the wines before his master, and was now handing around cigars and cigarettes. All being concluded to his satisfaction--no easy attainment, for Jaggard, trained in military fashion, was very precise--he departed, closing the door after him. The warm light of the evening flashed on the polished table--Major Jen was sufficiently old-fashioned to have the cloth removed for desert--and lighted up the four faces around it with pale splendor. This quartette of countenances is not unworthy of a detailed description. Interruption by the prisoner's counsel: "But without the consent of the mother." "When will you return?".
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